PREVIOUS EXHIBITION
18.04.24—19.05.24
Wanderers
Colin Watson
The Katie Lindsay Gallery is proud to announce its upcoming exhibition, 'Wanderers', featuring new paintings from Colin Watson.
Watson lives and works in Belfast. He has held seven solo exhibitions in London, at the Pym’s Gallery, John Martin Gallery and at Simon Dickinson Fine Art, as well as in Dublin, Northern Ireland and Morocco. In October 2008, Colin was invited by HRH The Prince of Wales to accompany him on the Royal Tour of Japan, Brunei and Indonesia, as his official Tour Artist.
He has exhibited at the Royal Academy in London, the Royal Ulster Academy and the Royal Hibernian Academy, winning awards at the latter two. He was also awarded the Ireland Fund of Great Britain Annual Arts Award in 1999. His work has been included in the BP Portrait Prize Exhibition at the National Portrait Gallery, The Royal Society of Portrait Painters annual exhibitions and at the Discerning Eye at the Mall Galleries in London.
Watson’s work is held in collections worldwide, including the Royal Collection and those of HRH Prince of Wales, HRH Duchess of Cornwall and Mohamed VI King of Morocco. He is also represented in a number of public collections, including the Ulster Museum, the Arts Council for Northern Ireland, the National Self-Portrait Collection of Ireland, Limerick and the Royal Geographical Society, London with a portrait of Sir Wilfred Thesiger, the British explorer and travel writer.
PREVIOUS EXHIBITION
22.06.23—15.07.23
Drawing on MindScape
Shanti Panchal
The Katie Lindsay Gallery is excited to announce Shanti Panchal’s first exhibition in Ireland of 18 watercolours of varying sizes.
Panchal defines his painting technique: “I use watercolour on thick, rough paper; applying many layers; mixing colours directly on the paper, scratching and scraping.“
It’s a slow process resulting in textured, velvet-like surfaces.
With peerless craftsmanship the artist combines the old with the new citing influences from Indian miniaturist painting, Buddhist frescoes and medieval Christian icons; Mark Rothko’s large abstract colour fields and the candied backdrops of Francis Bacon.
Each work demonstrates a subtle blending of the poetic forces from two cultures; east and west; he combines different aesthetic values i.e. the symbolism of Jain miniature paintings with western art styles like abstract expressionism.
In the larger works his figures occupy empty theatrical spaces. A vacant chair or a bulk of a wall serve, not only as pictorial devices, to point to something; an absence maybe or ‘a void.’ All this conjuring urgent, timely questions about our identities, nationhood and sense of belonging: Where is home? Do we carry our homes with us? Does home reside in our imagination?
Panchal was born in 1951 in North Gujarat, Mesar ; a small village in India. In 1978, after completing five years of study at the Sir JJ School of Art in Mumbai where he trained in western art and Indian miniatures, he won a British Council award to study for two years at the Byam Shaw School of Art in the UK.
His talents were soon acknowledged. 1980’s London was entering a radical mood and with the New Labour government’s drive to be inclusive he was commissioned by the GLC ( Greater London Council ) to make a pro-diversity mural celebrating Asian and Black culture alongside (Turner Prize winner 2017 / Tate Modern 2022) Lubiana Hamid, Gavin Jantjes and Keith Piper ; only Panchal’s mural survives.
In 2022 a second major public art work was commissioned from the artist by Art on The Underground , TFL for Brixton station and launched on the 17th of November 2022.
Shanti Panchal is a recipient of many prizes including the BP Portrait award in 1991, The prestigious John Moores Prize , twice, in 1989 and 2018 . He has been artist in residence at the British museum in 1994 and held solo shows at The Museum of Modern Art Oxford 1993, Pitzhanger Manor in 2000 and Chelmsford Museum 2007 and more recently with the Ben Uri 2020; to mention only a few.
PREVIOUS EXHIBITION
06.08.23—31.08.23
The Revolution is SOFT
Grace McMurray
Katie Lindsay Gallery is pleased to announce The Revolution is SOFT, an exhibition of new work by Grace McMurray.
McMurray’s highly personal practise involves traditionally female activities like sewing, knitting, weaving and patchwork. As the artist makes, stitches, knits and patches she doesn’t conceal her mistakes but emphasises them with very visible repairs. These are stories of individual and collective healing.
“Mending is about the journey travelled, not reinstating the impossible perfection of the new.”
A key piece in this exhibition is Facade; a damaged blue ceramic plate and a gift to the artist. McMurray draws on the Japanese practise of kintsugi and the plate is repaired with gold leaf. Kintsugi is the practise of repairing broken pottery with precious materials such as gold. As a philosophy, kintsugi is ‘an embracing’ of the flawed or the imperfect.
In a similar vein, many of the knitted works Field, Halfway There, Noise, Seamless & Verse, are created from the reverse side. The artist reveals the underside, the looser threads. It is through this process of uncovering and revealing that McMurray points to the worth and beauty in the seemingly worthless. At the same time she questions society’s expectations and the pressure to be a certain way. Themes of perfectionism are echoed again in the two pieces Nerves and Tarnished. Positioned opposite each other in the space, they allude to mirrors (they are the same size as mirrors) these two works appear to be made of a hard metal but are, in fact, painstakingly drawn with graphite pencil on waved paper.
Through these labour intensive ways of working and crafting, McMurray explores notions that the domestic space, where most female crafting historically took place, is inherently benign or passive.
Grace McMurray studied BA (Hons) Fine Art Sculpture, Wimbledon College of Art (2005-08). Selected Solo Exhibition: Woven Polyhedra, University of Ulster, Belfast (2018). Selected Group Exhibitions include: Irish Modernisms, CCA Derry 2021; Royal Academy Summer Exhibition (2019); Jerwood Drawing Prize, Jerwood Space, London (2015); Synthetic Aesthetics, Leitrim Sculpture Centre, Manorhamilton, Ireland (2012); Watershed, Hong Kong Visual Arts Centre, Hong Kong (2010).
Awards include: Turner Prize 2021 with Array Collective.